Who
creates? Who decides? For convenience’s sake we attribute work to individuals
(‘It needs but a man and and a candle to make a play,’ said Arthur Miller) but
no one ever acts completely alone. ‘Writing about the Giotto frescoes in the
Scrovegni chapel just outside Padua,' says Richard Hoggart with patent scorn in
The Way We Live Now, 'one author
suggests that the credit for these masterpieces…should be shared between the
artist, his assistants and the man who held the ladder.’
On the other hand,
here's William McCahon, looking back in 2002 on the years since his father’s
death in 1987: ‘We were never expected to have a voice or even to be seen as
having a valid claim to McCahon as intellectual property. But increasingly, I
think we, the family, have the pre-emptive claim because we in a sense were
sacrificed to this work and are part-authors of it.’
